Along with three pieces from WWC: CW Section 46 Operations Manual:
I love working in black and white - the opportunities for lost and found edges are so much greater than in most full colour pieces (chiaroscuro pieces excepted, of course), and the mood imparted by it is quite striking. A lot of power can be conveyed without colour, which in turn makes me think harder about the colour pieces I paint.
Thanks for looking :)
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