One more before the New Year!

This one's a bit of an aside from my regular work - I am Chairman of the Ludlow Art Society, a wonderful society that, this year, celebrated its 70th anniversary. As it was such a special event, the LAS's Committee decided early on in the year to invite members to submit original work on a sheet of heavy paper we sent out to them, so that we could collect these, along with a short paragraph about and a portrait picture of, each of the artists who chose to take part.

After a preview of the book during our annual Summer Exhibition, we collected the final details, got everything scanned, assembled into book form, and the books were ready just in time for Christmas. Local multi-talented artist and Committee Member Samuel Bebb did a fantastic job leading the project, collecting and organising the details and defining the overall layout.

I feel it's important to mark events like this, to take a snapshot of what the Ludlow Art Society looks like, what the makeup of it is, and just how wonderfully diverse our artistic interests are. The book contains a brief history of the Society, written back in 1993 by the late LAS Vice President Winifred Burlingham, one of the founding members - this gives a firm sense of why we came to be, and shows that, despite the many changes the LAS has gone through over the decades, exhibiting and demonstrations were then, as now, at the core of the Society.

The book also features a thoughtful foreword by current President, Charles MacCarthy, and opens with a few lines I wrote, which I hope can stand next to the rest of the introduction.

Here's to another 70!

Favourite Paintings from 2016

I've seen a few artists on social media posting their favourite pieces of the year, and as all my work is wrapped up for the 2016 I wanted to jump in and join, but... I've done a lot of work this year (with many, many paintings I'm not yet cleared to show) and picking my single favourite? That's tough! So, I thought I'd look back and pick a handful - not necessarily the most dramatic, or even the most popular, but the ones that, for various reasons, I enjoyed the most.

For the Middle-earth pieces: © 2016 Sophisticated Games and Cubicle 7 Entertainment
Middle-earth, The Hobbit, The Lord of the Rings, and the characters, items, events and places therein are trademarks or registered trademarks of The Saul Zaentz Company d/b/a Middle-earth Enterprises and are used under license by Sophisticated Games Ltd and their respective licensees.

For the other pieces: © 2016 Cubicle 7 Entertainment Ltd

The Adventures of the Kai cover - a fun montage piece, and as it was a cover I had a little longer than I can normally take for my paintings. I really liked the concept of the ravens rising from the documents, too (a concept I cannot claim - I believe the brief for this painting was written by Jon Hodgson).

Agtah - fairly simple, it was fun to put together and turned out well.

Elves of Lorien - the perspective! Halfway through I was kicking myself for choosing this route, but it was good to see it come together and read clearly. It's not something that's even appropriate very often, but flattening the planes in this way did work here.

Hobbit Pipe - yeah, this is possibly my favourite all year :) Simple, clean, clear, and very representative of Hobbits, and perhaps the Shire. Given that I live in Shropshire...

Magnamund Menagerie - a second cover in here, and this one might yet change (which is why the image has text on it, as this is the image C7 revealed). I'd already painted each of the characters as individual spots - I don't think any of those are cleared to show yet - so putting this disparate crew together for a villain-centric painting was a lot of fun. It matches up with a previous cover, the Heroes of Magnamund piece - whereas that had heroes charging right, this darkens the sky and has villains moving left.

Master of Sound (Lesser) - a creepy piece, but I love the contrast in skin types and I was glad my AD (Scott Purdy) signed off on the uncommon raking light.

Measureless Aeons - when I painted this for Cthulhu Tales, it was about trying to tell the story of something so much greater than people, while still keeping a sense of scale. Hopefully I hit something close, but I feel it's fairly heavy on the elements of story, possibly because so little is explicitly laid out.

Office Desk - black and white allows different kinds of storytelling from colour pieces, and here it was all about the story. I could lead the viewer through a short narrative, telling them everything they needed to know about the scene with the placement of a few objects on a desk.

Riverblade Gives the Mission - the initial sketch for this wasn't mine, it was my AD's (Jon Hodgson). I love the different way that two people, with the same goal, can approach the same problem in completely different ways. Also, for me there's something really nice about trying to get the quieter interactions between characters - a wide-mouthed battle-yell is fine, but even in dramatic adventuring there's scope for so much more in addition.

Thank you for looking, and I'll see you again with some fresh paintings in the New Year!

Work from TOR: Adventurer's Companion

I've not posted anything I've done for The One Ring in some time, but there's quite a bit to get into here. Some of these are pieces I've shown before - although many are new - and together they're all the work I had in the expansion.

© 2016 Sophisticated Games and Cubicle 7 Entertainment

Middle-earth, The Hobbit, The Lord of the Rings, and the characters, items, events and places therein are trademarks or registered trademarks of The Saul Zaentz Company d/b/a Middle-earth Enterprises and are used under license by Sophisticated Games Ltd and their respective licensees.

Thanks for looking!
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